Monday, March 17, 2014
The Ring of Confidence
Confidence is a strange companion. With it, we can conquer the world yet, without it, the world conquers us. Take a tennis player for example: 2 sets up and cruising and then a silly mistake or a great shot from your opponent causes that little confidence worm to start burrowing into your skull and the thoughts change from I can't possible lose this to What if ......? Next thing you know, you're no longer fighting your opponent but battling with your own mind.
People often laugh when I admit to an excruciating lack of confidence in my own abilities. Good old Graham, always playing the fool and putting on this bumbling idiot act ....... erm, no, that is me.Yes, I'm extremely good at hiding it sometimes (which is a problem in itself) but I confess, confidence and myself are strange bedfellows who will sometimes engage in a joyous coupling but predominantly sleep back to back. I've really got no reason to be like it apart from Nature and nurture (mostly nurture!) and am fortunate to have had more than my fair share of success in my lifetime but it's not something I've ever accepted or been happy with and I've always needed to drive myself further. The irony of continuously striving for better is that I know I can never reach a point where I am happy with what I have achieved and therefore this undermines the confidence which has started to be built by those successes.
The reason I started thinking about all this was my photography. For a long time, I found it very hard to accept the plaudits of my friends and photographic peers but then one day, for reasons unknown, I experienced a true Road to Damascus moment. I was thinking about my Camera Club and the things I wanted to achieve there and realised that I had basically done them all in the 3 years I've been going i.e. move from Beginners to Advanced league, win an individual competition and receive a wider recognition of my skills. It was at that point that I suddenly knew that none of this really mattered. What DID matter was an acceptance in oneself of being where one wanted to be. I didn't care that I would never be the best, judgement by others meant nothing. All I knew that, possibly for the first time in my life, I was actually content with what I was doing and the standard I was at. It was an incredibly liberating feeling. I was doing something my way and I no longer had to judge myself nor worry about being judged.
It lasted about 3 weeks.
Confidence is about self-fulfilling prophecy and that can go two ways. For me, I've been looking at some beautiful photos taken by fellow photographers here in Eastbourne as well as photographer friends around the world and, like dirty bath water, that contentment I had slowly drained away. This was the tennis player's game-changing moment as I looked at my photos and irrevocably saw them turning from satisfying extensions of me and my way of interpreting Life to very ordinary snaps, devoid of feeling and clarity.
Oh, I know that this is a passing phase and to a degree, part of my own condition but, just for a short period of time, I felt contentment. I only hope that somehow I can recover it. There's a Chinese saying that goes something like It is better not to eat of the greatest dish at all than to eat it once and never again. To know the reality of contentment for a while and have it snatched away rather than merely dream of what it may be like is not something I relish.
Finally, why am I writing this and laying myself open?
“To share your weakness is to make yourself vulnerable; to make yourself vulnerable is to show your strength.” - Criss Jami
Alternatively, of course, I might just be being self-indulgent .......... or self-pitying ............ or just plain weird.
Saturday, December 21, 2013
A Message at Christmas
Friday, April 19, 2013
Water Drop Photography
A few weeks back I was out photographing one evening when, for no apparent reason. I fell over. It wasn't a faint, I just seemed to lose my balance and over I went. I was a bit shocked but otherwise unhurt and got up and carried on photographing. Well, it happened again a couple of times more during the next fortnight and so I toddled off to the doctor. I'm not impressed with my GP surgery at the best of times, I have to say, and unfortunately the locum I saw did nothing to enhance their reputation. I'm not sure if he had just read The Dummies Guide to Strokes but he seemed fixated on the idea of mini-strokes or TIAs and refused to be put off the theory irrespective of whatever I said. I was accordingly sent to the local hospital about a week later for tests. During this time, I wasn't allowed to drive so I paid vast fortunes to a licensed bandit in a cab and duly arrived for my appointment.
Arriving some 25 minutes early, I was seen immediately which is unheard of in the National Health Service. I surmised that this was a test and, if you didn't have a heart attack at such an event, then you were OK. As it happened, the consultant I saw was of foreign extraction and, whilst I have no problem whatsoever with this, it was quite apparent that English was not his first language. I went through what had happened (several times) and he eventually pronounced that there was no way that these could be mini-strokes. I had tried to explain that I had a lot of hearing problems lately and wondered whether there was something that might be affecting my balance but he either misheard or chose to ignore this. Anyway, next week I have to have 24 hour heart monitoring, followed by an echocardiogram and then 24 hour BP monitoring. I've only had a couple more episodes but spend quite a lot of my time feeling even more unbalanced than people already assume.
The reason I tell you all this is purely as a background. You see, I don't really go out much at the moment as a) I am a tad concerned that falling onto hard pavement might damage either me or, more importantly, my cameras, b) walking isn't overly pleasant currently and, c) Spring has decided to pass us by in favour of another ice age.
One day, shortly after all of the above happened, I was browsing through Flickr (online photo site) when I saw a photograph of a water droplet and was entranced. I had a beautiful new Canon 100mm L IS USM macro lens and tried a little experiment of putting a piece of wood over the kitchen sink and, on this, setting a roasting tray full of water. I set the tap to a very slow drip , focused the lens on the surface of the water and tried a few shots.
This was one of the very first efforts that day; crude but sufficiently intriguing to make me delve further. The blue is merely a folder, leaned against the tiles behind the sink with a flash directed onto it which then reflects the colour back into the water.
That evening I spent a long time researching the different ways and means of taking shots as well being blown away by some amazing images. The undoubted guru of water drop photography is a lady called Corrie White who has spent several years honing her craft and who now produces images such as these:
Truly beautiful and something to which I could hopefully aspire. In fact, there are many exponents of water drop photography out there and all have my admiration. After that first session, I just knew that this was for me and suddenly, my enforced incarceration didn't seem quite so bad.
The science of water drops is quite complicated in some ways. If you have ever seen a drop fall into liquid then you'll know that there is an opposite reaction insofar as the drop will effectively rebound up above the surface.To get an effect like the last of Corrie's 3 examples, you need to drop a second drop so that it collides with the first as it climbs up once more and it's this collision that can cause such amazing effects and is perhaps the starting point of many great shots.
OK, so there was my starting point. How did I cobble together a system which had the capacity to drop liquid at specific, regular intervals because, until I could sort that, I was leaving way too much to luck? Some people start with manual means such as an eye dropper but I wasn't sufficiently confident or steady-handed to go down that path. The obvious apparatus seemed to be an IV drip as that has the capacity to deliver regular drops and these could be made faster or slower in order to try and get the collisions to which I referred earlier. Oh, for the days when I knew lots of nurses socially as opposed to the professional contact I now seem to have; I'm sure an IV kit could have been liberated without much trouble at all. As it was, I found a supplier on the net and within a couple of days, I was the proud possessor of a couple of these babies:
Clumsy and crude, but it worked and my efforts started to look a bit better. I had realised that 2 flashes were ideal as a minimum and so I purchased a cheap wireless flash (YongNuo YN-560) to work with my Canon Speedlight and these were set, pointing at the background. Hopefully, my drawing skills give a rough idea of what I mean.
Thursday, December 13, 2012
Quality Street - A Part of Christmas
- Purple One (the original 'Purple One' with Brazil nut, replaced with hazelnut version)
- Chocolate Toffee Cup (now replaced with Caramel Swirl)
- Hazelnut Cracknell (red wrapper)
- Hazelnut Eclair
- Chocolate Nut Toffee Cream
- Malt Toffee (replaced with toffee deluxe as a "new" flavour)
- Milk Chocolate Round (now replaced with Milk Choc Block in green wrapper)
- Peanut Cracknell (blue wrapper)
- Coffee Cream (brown wrapper, same size and shape as the strawberry cream)
- Gooseberry Cream (green wrapper light green fondant with a touch of Gooseberry Preserve covered in milk chocolate)
- Apricot Delight (blue wrapper, square chunk, apricot flavoured jelly covered in milk chocolate)
- Toffee Square (metallic pink wrapper, a small square of very hard toffee)
- Chocolate Truffle (brown wrapper, square chunk, a soft truffle filling covered in milk chocolate)
- Montelimar Nougat